Stage art: a model of reality as a semiotic system

dc.contributor.author	Shumakova, S. N.
dc.date.accessioned	2023-03-29T07:24:48Z
dc.date.available	2023-03-29T07:24:48Z
dc.date.issued	2023
dc.identifier.citation	Shumakova S. N. Stage art: a model of reality as a semiotic system / S. N. Shumakova // Society, culture, personality in modern world : materials of the XII inter. sci. conf. on February 16-17, 2023 / Vedecko vydavatelske centrum «Sociosfera-CZ» [et. al.]. — Prague, 2023. — P. 21-22.	ua
dc.identifier.uri	http://195.20.96.242:5028/khkdak-xmlui/handle/123456789/2041
dc.description.abstract	The article interprets the artistic essence of stage art, which predetermines a certain duality - modeling and sign, obeying the laws of semiotic systems. Stage art in this aspect is considered in connection with such concepts as "sign". The conclusion is formulated: the plan of content and the plan of expression in the sign system of a stage work against the background of a certain aesthetic expectation become a semantically saturated meaning-bearing construct, equal to a verbal expression that receives new, additional meanings.	ua
dc.language.iso	en	ua
dc.subject	сценічне мистецтво, performing arts	ua
dc.title	Stage art: a model of reality as a semiotic system	ua
dc.type	Thesis	ua