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Образ жінки у побутових творах Е. Контратовича

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dc.contributor.author Чейпеш, Анна
dc.contributor.author Cheipesh, Anna
dc.date.accessioned 2022-12-29T12:37:00Z
dc.date.available 2022-12-29T12:37:00Z
dc.date.issued 2018
dc.identifier.citation Чейпеш А. Образ жінки у побутових творах Е. Контратовича / Анна Чейпеш // Українська академія мистецтва : дослідн. та наук.-метод. пр. Київ, 2018. Вип. 27. С. 243-249 en_US
dc.identifier.uri http://195.20.96.242:5068/kvnaoma-xmlui/handle/123456789/118
dc.description.abstract У статті досліджено жанрові твори раннього періоду та періоду розквіту творчості Е. Контратовича, які тематично можна поділити на окремі серії. Проведено мистецтвознавчий аналіз типових робіт з кожної серії.Визначено основні художньо-виражальні засоби, якими послуговувався художник. Висвітлено еволюцію манери митця. In the works of E. Kontratovych in the early period and the period of heyday, there are the everyday works, the main character of which is a woman. In the early period (1930–1943), the image of woman plays in the main theme of begging – disadvantaged women, suffered beggars. This is connected with the showing the fate of the Verkhovyna population, which suffered because of the World Economic Crisis of the 1930s. At that time, the artist was also interested in the folklore and mysterious world of the legends and myths of the Carpathians, embodied in the original female types. The works of the early period are executed mainly in the expressionist style, which are characterized by roughness and deformation of the form, dramatic, contrasting colors. A special role was assigned to the landscape, which the artist used as a means of enhancing of the emotional color. In some of the works, the main characters are depicted against the background of ruined houses, bare trees, which increases the sense of tragedy, drama. In others, the landscape is neutral or conditional, which suggests the indifference to the fate of the depicted women. With the beginning of the period of heyday (1944–1990), the range of topics devoted to the life of the Transcarpathian peasantry is expanding considerably. In works, the woman acts in the characted of a mother («Transcarpathian Madonna»), a reaper, a laundress, a harvester. Launched in the 1930s, a series devoted to the fate of women, became more significant in the 1960s–1970s. The works of the period of heyday are mainly executed in the style of expressionism. Forms of objects are molded with a soft brush stroke, the rhythm of the composition is built on the motion of brushwork, rounded lines. The artist prefers rich, vivid color that enhances the life-affirming emotions. The landscape also takes on an uplifting mood.Regardless of color, stylistic preferences and compositional changes, E. Kontratovych’s works, devoted to the image of women are designed to glorify a woman as a mother and a worker, to create her idealized image for inspiration and admiration. en_US
dc.language.iso other en_US
dc.subject Ернест Контратович en_US
dc.subject закарпатська школа живопису en_US
dc.subject побутовий жанр en_US
dc.subject тема материнства. en_US
dc.subject Ernest Kontratovych en_US
dc.subject Transcarpathian school of painting en_US
dc.subject everyday genre en_US
dc.subject the theme of motherhood en_US
dc.title Образ жінки у побутових творах Е. Контратовича en_US
dc.title.alternative The image of a woman in everyday works of E. Kontratovych en_US
dc.type Article en_US


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