Історія формування збірки цинського фарфору з колекції Національного музею мистецтв імені Богдана і Варвари Ханенків

Abstract

Статтю присвячено дослідженню та опису історії фор-мування збірки цинського фарфору в колекції Національного музею мистецтв імені Богдана та Варвари Ханенків. На основі наукових кар-ток та інвентарних книг музею (двох основних джерел історії колекції, завдяки яким здійснено опис надходження окремих цінних пам’яток китайського фарфору до збірки китайського мистецтва) розглядати-муться етапи формування колекції порцеляни в зібранні Національно-го музею мистецтв імені Богдана та Варвари Ханенків. Дослідження проілюстроване експонатами з Національного музею мистецтв імені Богдана та Варвари Ханенків. The article is devoted to the research and description of the history of the formation Qing porcelain collection in the Khanenko’s National Museum of Arts. Considered steps of the formation porcelain collection which based on scientific cards and inventory book of museum – the two main sources of history collection, through which had done description about some revenues valuable wares of Chinese porcelain to the collection of Chinese art. An attempt has been made to study the sources of the museum, namely, the scientific cards and the inventory book, to analyze the history of the creation of a collection of porcelain in the collection of the Khanenko’s National Museum of Arts. Implementation of the section of the collection of Qing porcelain by groups of receipts to the museum, which will subsequently enable the data obtained to be based on the further research of the collection of Chinese porcelain. It is also possible to assume that the collection of Chinese porcelain of the Qing era, according to the data of scientific cards, inventory books of the museum, the information of the guide, began to form after 1906, since the first objects of Chinese art were acquired by the founder of the museum Bohdan Khanenko exactly in 1906 in Harbin, where he was as an commissary Red Cross. The first purchased items were ancient Chinese bronzes, which began the collection of oriental art in general, and Chinese art, in particular. The latest acquisitions date back to the 90’s and were implemented by the current head of the art department of the East, Galina Bilenko. Thus, the collection of Chinese porcelain of the Khanenko’s National Museum of Arts is divided into the following groups: - the first group is the personal acquisition of the founder of the museum Bogdan Khannenko; - the second group is represented by separate purchases of works of porcelain from small collectors and other private individuals; - the third group is the transfer of Chinese porcelain items from other USSR museums during the twentieth century; - The fourth group consists of items of unknown origin, which can not be said at this time, either when they fell into the museum’s collection or from where.