Короткий опис(реферат):
У статті досліджується творчість видатного китайського скульптора Ву Вейшана, аналізуються його монументальні й станко-ві роботи, визначено поняття «скульптура вільного експресіонізму», що характеризує стильову установку його пластики, своєрідну манеру, яка зближує культури Сходу й Заходу.
This article deals with the famous Chinese sculptor Wu Weishan,
whose art is well known not only in many provinces of our country, but also in
many countries of the world. The exhibitions of works of this artist are always
very popular, gaining a wide circles of supporters of his talent around the world
and the desire of many museums to introduce his works to the plans of their
exhibition work, marked, as it was claimed in Europe, an exciting expressive
form. Unfortunately, in Ukraine, the sculptural heritage of Wu Weishan was
little known before, and only in recent years, experts in oriental plastics, the
professionals who are aware of its expressive plastic, in which is expressed the
essence of Chinese wisdom, embodied in the teachings of Confucius and Lao
Tzu. As follows, the task of this scientific publication follows from the goal of the
study – to highlight the specifics of the sculptural heritage of the outstanding
artist from Beijing and to analyze his main works, which makes up and set the
scientific goal.
The problem of «His exciting expressive form ...» spoken from a high podium in
France, expressed the essential aspects of Wu Weishans plastic that with its deep
roots reaches from the ancient traditions of Chinese art and emotion expressive
means meets the criteria of innovative ideas about creativity. The artist gives
to his art an opportunity to know human beings in a person and directs it to the
way in which such knowledge borders on the notions of Goodness. Wu Weishan
thus identifies the purpose of man to be directed towards to the Good, and with
him – the morals, beauty and purity that was predetermined by the culture, art
of China during the millennia of their development. Wu Weishan, as a sculptor,
invites the viewer to recognize and assert a spiritual, beautiful, human in man,
and this moral has in China an ancient humanistic roots. The author raised in
the article highlight the purpose of art of the sculptor Wu Weishan as a national
artist of high artistic quality, who knows, loves, honors East and reaches out
openness, sincerity and kindness of the West, asserting their own multifaceted
practice: culture has no any boundaries, it belongs to humanity.
