Abstract:
У статті розглянуто деякі питання природи руху та
закономірностей його прояву в структурі зображувальної площини.
The work is dedicated to the main problems of motion
graphic and visual perception of its features in the structure of the picture
plane. In his article A.Tverdy focuses on some movement characteristic in
different image field areas, covers practical issues of motion graphic and
considers movement patterns as one of the main composite factors, shows
the feasibility of using a mirror reflection in composition work, mainly based
on Nicholas Pisanka studies.
The author uses a conceptual approach to the topic, because composition
is the most important factor in organizing, uniting and subordinating of
all the elements to each other and to the conception of creative idea in
general. At the same time laws of compositions allow to see the creation of
connections between different levels of composite structure, which makes a
compelling artistic idea in its composition decision. However, as experience
clearly shows, these laws act and fully realize the idea of work only in case
of the organic interaction with the forces (laws) of the picture plane – it
means when these forces are «in tune» with artistry and composition of
the plan.
A.Tverdy uses numerous examples to demonstrate the work of the laws
for the right and the left planes of the picture revealing the inner intention
of the artist. The article is also reveals connections between the motion
graphic and property of zones of the art plane, their impact on the character
of the context and contents of composition in general. Thus, according
to the author, in case if the initial forces of imaginative environment will
act opposite to the idea, then all art form connections will be transformed
and will give the contrary content, therefore will «break» or diminish the
creative idea of the artist.
This article is relevant in several aspects, such as general art question
of creation and perception the art character, and improving academic programs and increasing of general level of the student’s preparation.
The composition of the work provides for the students of very specific
knowledge and skills related to the properties of the figurative plane.
It is also possible to use as auxiliary material article methodological base
for teaching professional disciplines to students of creative specialties.
