Рух у контексті композиційної структури та візуального сприйняття

Abstract

У статті розглянуто деякі питання природи руху та закономірностей його прояву в структурі зображувальної площини. The work is dedicated to the main problems of motion graphic and visual perception of its features in the structure of the picture plane. In his article A.Tverdy focuses on some movement characteristic in different image field areas, covers practical issues of motion graphic and considers movement patterns as one of the main composite factors, shows the feasibility of using a mirror reflection in composition work, mainly based on Nicholas Pisanka studies. The author uses a conceptual approach to the topic, because composition is the most important factor in organizing, uniting and subordinating of all the elements to each other and to the conception of creative idea in general. At the same time laws of compositions allow to see the creation of connections between different levels of composite structure, which makes a compelling artistic idea in its composition decision. However, as experience clearly shows, these laws act and fully realize the idea of work only in case of the organic interaction with the forces (laws) of the picture plane – it means when these forces are «in tune» with artistry and composition of the plan. A.Tverdy uses numerous examples to demonstrate the work of the laws for the right and the left planes of the picture revealing the inner intention of the artist. The article is also reveals connections between the motion graphic and property of zones of the art plane, their impact on the character of the context and contents of composition in general. Thus, according to the author, in case if the initial forces of imaginative environment will act opposite to the idea, then all art form connections will be transformed and will give the contrary content, therefore will «break» or diminish the creative idea of the artist. This article is relevant in several aspects, such as general art question of creation and perception the art character, and improving academic programs and increasing of general level of the student’s preparation. The composition of the work provides for the students of very specific knowledge and skills related to the properties of the figurative plane. It is also possible to use as auxiliary material article methodological base for teaching professional disciplines to students of creative specialties.